Throughout its first season, Fallout tees up what seemingly are a bunch of mysteries that are either not connected at all or by the loosest of threads—why is the Ghoul so fascinated when he learns Lucy’s full name? What’s going on with dwellers from Vault 31? How did Moldaver make her way from the pre-war days to lead the New California Republic, and just what did she need from Wilzig the Enclave defector? What really happened to Lucy’s mom, and will she be able to save her dad? Will Maximus be able to make his way back to Lucy—and away from the Brotherhood once and for all?
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All this smashes together in the finale (appropriately called “The Beginning”) to reveal that actually everything is much messier, more personal, and interconnected than anyone thought. As Lucy comes face to face with what was always her goal from the moment she left Vault 33, we and she alike get to learn, thanks to a flashback to Cooper’s perspective, that it was Vault-Tec itself, spearheading a conglomerate of multiple pro-war companies, that fired the first bombs that set off the apocalypse, ensuring their products would be used. Also, along the way, Vault-Tec froze all of its managers—from the lowest assistants to the highest bosses—to control the world that came after the fallout and ensure that capital remains in their own hands. And not only that, we’ve met a bunch of those Vault-Tec staffers throughout the season, like Betty, and of course, Hank himself—revealed as the assistant to Cooper’s wife, Henry, in pre-war times.
It does a lot to make clear the way the show views Fallout’s world, while once again putting all three of the main characters together, if not ideologically or geographically, in just how related to all this mess they each are.
Okay so maybe don’t hit Kyle McLachlan with the CG-deaging-ray but still, in spite of that, it all works!
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