While Netflix seemingly led the way for other streaming networks to create compelling original programming, Hulu actually beat them all to the punch. In 2011, a year before Netflix’s Lilyhammer and two years before the arrival of House of Cards, the burgeoning streamer premiered The Morning After, a pop-culture-focused news show that ran for 800 episodes over three years, plus A Day in the Life, a docuseries from the late Oscar-winner Morgan Spurlock.
Hulu has continued to make TV history in the dozen years since, most notably in 2017, when it became the first streamer to win an Emmy Award for Outstanding Drama Series with The Handmaid’s Tale. In the years since, the streamer has continued to match—and often exceed—that high bar for quality entertainment with shows like The Bear, which took home 11 Emmys in 2024, and Shōgun, which just set an Emmy record with 18 wins in a single season.
While more competition has popped up since Hulu started gaining critical credibility, the network has continued to stand out for its carefully curated selection of original series and network partnerships that make it the home of FX series and more. Below are some of our favorite shows streaming on Hulu right now.
Not finding what you’re looking for? Head to WIRED’s guide to the best TV shows on Amazon Prime, the best TV shows on Disney+, and the best shows on Netflix. Have other suggestions for this list? Let us know in the comments.
What We Do in the Shadows
If you are in need of a laugh-out-loud comedy (and don’t mind if it’s of the sometimes R-rated kind), you should be watching What We Do in the Shadows. In 2014, Jemaine Clement and Taika Waititi cowrote, codirected, and costarred in a feature of the same name—a funny mockumentary featuring a group of vampires who share a home. This series, which premiered in 2019, moved the vampire action from New Zealand to Staten Island and brought in a whole new group of vampires—who struggle to even get up off the couch, let alone take over all of New York City (as they’ve been instructed to). After several years, they finally seem ready to get around to the task. If you haven’t been watching, now is the perfect time to tune in—especially as its sixth season, which came back on October 21, will sadly be its last.
La Máquina
Gael García Bernal and Diego Luna have been close friends since childhood, and it shows in the onscreen work they’ve done together—most famously in Alfonso Cuarón’s Oscar-nominated Y Tu Mamá También (2001). More than two decades later, their onscreen chemistry is still potent, as evidenced by this Spanish-language boxing drama. Esteban (García Bernal) is an aging boxer whose manager/BFF Andy (Luna) persuades him to step into the ring one last time before he officially retires. But as the match looms closer, the criminal underbelly of the sport rears its head—forcing Esteban to determine what parts of his life he’s willing to sacrifice. With just six episodes in all, La Máquina moves fast. Don’t flinch.
Rivals
Though David Tennant rose to fame playing Doctor Who’s lovably quirky Tenth Doctor, he’s often at his best when he gets to play a bit of a conniving asshole. In Rivals, Tennant clearly relishes the opportunity. Based on Jilly Cooper’s 1988 novel, and set two years before then, it tells the story of two very powerful men and neighbors—Lord Tony Baddingham (Tennant) and Tory MP Rupert Campbell-Black (Alex Hassell)—whose ongoing rivalry brings to mind the over-the-top nighttime soaps of that decade, including Dallas and Dynasty. Like those iconic American series, Rivals is more shock-driven than plot-driven, with its campiness (and lots and lots of sex between people who are married to other people) being part of the point. At its heart, it’s a class warfare story in which the tensions between bona fide aristocrat/rogue Campbell-Black and new-money-who-married-into-old-money media mogul Baddingham boil over for all to see. Especially after Baddingham, who owns a television network, poaches popular TV presenter Declan O’Hara (Aidan Turner) from the BBC and enlists fish-out-of-water American TV producer Cameron Cook (Nafessa Williams) to help keep him on top.
How to Die Alone
Former Saturday Night Live and Insecure writer Natasha Rothwell—whom you might know from her Emmy-nominated turn as spa manager Belinda in season 1 of The White Lotus (she’ll be back for season 3)—created and stars in this eight-episode series. Mel (Rothwell) is an employee at New York City’s JFK Airport who is content with the uneventful life she has built for herself. But when she has a sudden brush with death, she decides to take her life into her own hands. While it’s not the first series to explore matters of life and death, it does so in a way that is both beautifully nuanced and laugh-out-loud funny—all of it anchored by Rothwell’s performance.
English Teacher
Television audiences are hardly lacking in high school–set comedies, or in really great high school–set comedies, and/or really great high school–set comedies that focus on the teacher perspective (see: Abbott Elementary). English Teacher is already proving that it is well on its way to fitting into that elite niche. Brian Jordan Alvarez—who was behind the award-winning 2016 web series The Gay and Wondrous Life of Caleb Gallo—both created and stars in the show, in which he portrays an English teacher in Austin, Texas, who is dedicated to making an impact on his students, even if he sometimes needs to depend on their teenage wisdom to figure out the right way to do that. While it doesn’t shy away from the politics that exist in the teaching profession, it also presents the “adults” as often just as lost as the kids they teach.
Only Murders in the Building
Steve Martin, Martin Short, and Selena Gomez make for a delightful trio of true-crime-obsessed podcast fans who, in season 1 of this original Hulu series, decide to join forces and create their own podcast while attempting to solve the mysterious death of a fellow resident of their Manhattan apartment building. From the very beginning of their odd alliance, it’s been clear that all is not what it seems, and everyone is keeping secrets. Now they’ve upped the ante on guest stars, too; the third season saw Paul Rudd and Meryl Streep join in the fun. Streep returned for the show’s fourth season, and was joined by Eugene Levy, Kumail Nanjiani, Tina Fey, Melissa McCarthy, Zach Galifianakis, and Eva Longoria.
At Witt’s End
On December 1, 1994, 19-year-old Melissa Witt drove to surprise her mother at a bowling alley in Fort Smith, Arkansas, but disappeared without a trace. Six weeks later, her naked body was found by hunters in Ozark National Forest. Now, this four-part docuseries delves into the 30-year quest to identify Melissa’s killer(s) and bring an end to her case, which local police, the FBI, family, and friends are still desperate to solve. At Witt’s End elevates the typical true-crime docudrama by drawing an intimate portrait of Witt, a beloved teen whose life was cut far too short.
Solar Opposites
This animated sci-fi comedy, which premiered in 2020, is about a family of aliens from the planet Shlorp who crash-land on Earth—for better or worse. The show, which debuted its fifth season in August, is rooted in the idea that humans are, well, weird. Which seems appropriate given this current moment in time. Yet, in between the laughs and occasional threat to humanity, it maintains a positive outlook on the world and the people who inhabit it. Which is something we could probably all use right about now.
Marvel’s Hit-Monkey
Hit-Monkey may not be Marvel’s best known character, but this action-packed animated series is helping change that. As the title indicates, the story centers around Hit-Monkey (Fred Tatasciore), a snow monkey intent on taking out the Tokyo underworld with the help of his mentor, Bryce Fowler (Jason Sudeikis). Oh, and Bryce is a ghost—and a former assassin.
Futurama
Following a decade-long hiatus, Futurama—Matt Groening and David X. Cohen’s animated sci-fi comedy—made a triumphant return in 2023, complete with gags about Twilight Zone and “Momazon” drone deliveries. Now is the perfect time to dive back in—or watch it all for the first time. The newest season wrapped up on September 30 and and Hulu has confirmed that at least one more season is on its way.
We Were the Lucky Ones
In Radom, Poland, the Kurcs are a loving family who seem to have it all—until the horrors of the Holocaust invade the serenity of their everyday lives. As World War II arrives on their doorstep, the family is separated—escaping to France, Brazil, West Africa, and Russia. Some are in hiding, others in concentration camps. But they’re all focused on one goal: surviving the war and reuniting with each other.
The Bear
Carmen “Carmy” Berzatto (Jeremy Allen White) is a superstar of the fine dining world who has returned to his hometown of Chicago to save his family’s struggling sandwich shop after his brother’s death by suicide. While Carmy initially struggles to acclimate himself to being home and to his inherited kitchen’s back-to-basics style, he eventually realizes that it’s not too late to change both himself and the restaurant. Anyone who has ever worked in a busy kitchen knows the stress that comes with it, and The Bear does an excellent job of making that tension palpable—as evidenced by its slew of aforementioned Emmy Awards. While the plot sounds simple enough, much of Carmy’s previous life is a bit of a mystery, and it’s doled out in amuse-bouche-sized bits throughout the series with top-tier guest stars you may not have seen coming (fact: Jamie Lee Curtis has never been better, as evidenced by her recent—and very first—Emmy win). Prepare to feast.
Queenie
Queenie Jenkins (Dionne Brown) is a Jamaican-British twentysomething whose world is thrown into an upheaval following an ugly breakup with her boyfriend. That messiness follows Queenie into the next chapter in her life, when she attempts to pick up the pieces of her failed relationship while frequently butting heads with her family and trying to reconcile her dual cultures. Candice Carty-Williams adapts her own bestselling novel to create a poignant dramedy that’s ultimately about trauma and healing.
Black Twitter: A People’s History
In the late 2000s—back when Elon Musk was just that car-and-spaceship billionaire—Twitter was more than a social media network. It was a genuine gathering place for people to find their people, whether that was Film Twitter or Cat Twitter. For Black Twitter, it was a lot more. This three-part docuseries, based on WIRED senior writer Jason Parham’s 2021 cover story, recounts the most important moments and movements that helped solidify the Black Twitter community’s place as a cultural force in the world, from politics and beyond.
Under the Bridge
Welcome to your new true crime obsession. Riley Keough and Lily Gladstone (who earned an Emmy nomination for her work in the show) make a formidable duo as an author and a police officer, respectively, investigating the brutal murder of a 14-year-old girl in a small town in Canada. The limited series is based on Rebecca Godfrey’s award-winning 2005 book of the same name (with Keough portraying Godfrey), and is a haunting reminder of what human beings are capable of.
Shōgun
Game of Thrones fans still lamenting the loss of one of television’s great epics have found their new favorite binge-watch in Shōgun, which just took home a record 18 Emmys (with 25 nods altogether). This 10-episode series, based on James Clavell’s beloved novel (which was first adapted into a miniseries in 1980), is a brilliant and sweeping tale of political rivalry in feudal Japan where Lord Yoshii Toranaga (Hiroyuki Sanada), a powerful warrior, has a target put on his back by his political rivals in the Council of Regents. Fortunately for Toranaga, he’s got Toda Mariko (Anna Sawai), a talented translator and fiercely loyal samurai, by his side. Though it was originally positioned as a one-and-done limited series, FX and Hulu have already confirmed that both seasons two and three are in the works.
Such Brave Girls
Comedian/actress Kat Sadler created and stars in this deeply messy, darkly funny story of a totally dysfunctional family—mom Deb (Sherlock’s Louise Brealey) and daughters Josie (Sadler) and Billie (Lizzie Davidson, Sadler’s real-life sister)—attempting to pick up the pieces after their husband/father leaves them. It’s cringe-comedy at its finest, and the kind that will appeal to fans of Fleabag.
Abbott Elementary
Quinta Brunson created and stars in this hit series, which follows the daily lives—in and out of the classroom—of a group of teachers at what is widely considered one of the worst public schools in America. Despite a lack of funding for even basic educational necessities, and school district leaders who only care about the barest minimum standards, these educators are united by their drive to surpass expectations and encourage their students to do the same. Look for a two-episode crossover with It’s Always Sunny in Philadelphia in the fourth season, which is airing now.
Fargo
Noah Hawley’s anthology series isn’t the first attempt to adapt the Coen brothers’ Oscar-winning crime-comedy to the small screen (Edie Falco starred in a previous version, which was a more straightforward adaptation of the movie), but his approach was clearly the smarter move. Fans of the Coens in general will find lots to love about the many nods to the filmmakers’ entire filmography, with each season covering a different crime and time period. Though the seasons do share connections, each one is a total one-off, and the show might boast the most talented group of actors ever assembled: Billy Bob Thornton, Martin Freeman, Bob Odenkirk, Oliver Platt, Ted Danson, Patrick Wilson, Nick Offerman, Kirsten Dunst, Jesse Plemons, Ewan McGregor, Michael Stuhlbarg, Carrie Coon, Scoot McNairy, Chris Rock, Jason Schwartzman, Timothy Olyphant, and Ben Whishaw are just a few of the names who’ve found a home in Fargo. The fantastic fifth season—featuring Juno Temple, Jon Hamm, Jennifer Jason Leigh, Joe Keery, and Lamorne Morris (who just won an Emmy for his role)—continued this tradition of exceptional acting, with all episodes streaming now.
A Murder at the End of the World
Darby Hart (Emma Corrin) is a talented hacker and armchair detective who is one of eight guests invited to spend a few days at the stunning yet remote home of a mysterious billionaire (Clive Owen). When one of the guests ends up dead, Darby must work quickly to prove that it was murder—and who did it—before the bodies start piling up. Fans of twisty true crime will appreciate this limited series, which comes from the minds of Brit Marling (who costars) and Zal Batmanglij—cocreators of the equally mind-bending The OA.
Living for the Dead
“It’s all fun and games until someone gets possessed.” That’s tarot card reader Ken’s take on this twisty reality series, which follows the paranormal adventures of a group of five queer ghost hunters. Kristen Stewart executive-produced the series, which has been described as gay Scooby-Doo but with better hair and laugh-out-loud observations, like being more terrified of the “horrific” bedspread than the clowns at Nevada’s infamous Clown Motel.
Moonlighting
While Die Hard turned Bruce Willis into one of Hollywood’s biggest action stars, he was far from producers’ first choice for the role of John McClane. That’s largely because he was seen as the funny guy from Moonlighting, the Emmy-winning ’80s dramedy that centers around the Blue Moon Detective Agency and its two often-bickering owners, David Addison (Willis) and Maddie Hayes (Cybill Shepherd). Over the course of its five seasons, the series racked up some serious critical acclaim and wasn’t afraid to experiment with the sitcom format.
The Other Black Girl
Sinclair Daniel shines as Nella Rogers, an up-and-coming book editor—and the only Black employee at the publishing house where she works. While Nella is initially thrilled when another young woman of color, Hazel-May McCall (Ashleigh Murray), is hired as an assistant, she can’t help but notice that a series of bizarre events seems to follow. As Nella tries to suss out exactly what is going on, she uncovers some pretty damn disturbing skeletons in her employer’s closet. While horror-comedies are an increasingly popular movie genre, we don’t see them on the small screen quite as often—which, if this clever series is any indication, is a real shame.
The Full Monty
Twenty-six years after a low-budget British comedy blew up at the box office, scored an Oscar, and introduced “the Full Monty” into the popular lexicon, the Regular Joes turned strippers from Sheffield are back to face largely the same issues they were lamenting in the original feature film. Much of the main cast reassembled for this follow-up to Peter Cattaneo’s hit 1997 movie, including two-time Oscar nominee Tom Wilkinson, who passed away in late December. Stripping is involved, as are other inevitables in life, including breakups, reconciliations, and death. For fans of the original movie—or the Broadway musical and stage play that followed—it’s a fun check-in with the characters who bared it all.
The Office (UK)
Years before there was Jim and Pam and Dwight and Michael, there were Tim and Dawn and Gareth and David. For lovers of cringe, it’s hard to do better than Ricky Gervais and Stephen Merchant’s workplace comedy. David Brent (Gervais) is the original boss from hell, whose office antics will have you covering your eyes and laughing out loud at the same time. Like many British series, there are just two seasons—each consisting of a mere six episodes—plus a two-part Christmas special. Don’t be surprised if you sit down to watch a single episode and binge it all in one go.
Cheers
In the 1980s, NBC was the channel to watch on Thursday nights—in large part thanks to Cheers. The bar where everybody knows your name is where the action happens in this award-winning sitcom about a former Red Sox player (Ted Danson) and the lovable employees and patrons who treat his bar like a second home. If you can look past (or, even better, embrace) the questionable ’80s fashion and sometimes-sexist storylines that wouldn’t necessarily fly on TV today, you’ll find what is arguably one of the smartest sitcoms ever written. More than 40 years after its original premiere, the jokes still stand up and the characters are some of television’s most memorable (and beloved) for a reason.
Dopesick
Back in 2021, Hulu went where Netflix’s Painkiller went in 2023: to the late ’90s and early 2000s, aka the beginning of America’s opioid crisis. Danny Strong created this retelling of the lengths to which Richard Sackler (played here by the always excellent Michael Stuhlbarg) and Purdue Pharma would go to sell doctors on the powers of OxyContin—all with the promise of no addiction. Michael Keaton won an Emmy for his portrayal of a widowed doctor in Appalachia who buys into the lies, and eventually becomes a victim of them.
Reservation Dogs
Taika Waititi and Sterlin Harjo cocreated this Peabody Award–winning series, which made history as the first mainstream TV show created by, starring, and crewed by an almost entirely Indigenous American team. It tells the story of four bored teens who are desperate to escape their lives on a reservation in Oklahoma. They decide that California is where they want to be and commit to a life of mostly petty crimes in order to save up enough money to leave. The series’ third, and final, season concluded in 2023 with a brilliant sendoff—and the whole series is available to watch now.
Taste the Nation With Padma Lakshmi
“The gateway to another culture often happens first through food,” says Padma Lakshmi in the first season of Taste the Nation. That pretty much sums up this food show, made in the style of Parts Unknown and Bizarre Foods (both of which are also streaming on Hulu). Lakshmi makes for a compelling tour guide, and she doesn’t even need to leave the US to explore the cultures, and culinary delights, of Ukraine, Cambodia, Italy, and beyond.
The Great
Elle Fanning and Nicholas Hoult shine in this witty, fast-paced, comedic retelling (but not really) of Catherine the Great’s rise to power. Created by Tony McNamara, who earned Oscar nominations for his writing work on both The Favourite and Poor Things, The Great offers the same combination of lush costumes and scenery mixed with a biting commentary on the world, and a woman’s place in it. A story that rings as true today as it did in the 18th century, when Catherine the Great became empress of Russia and brought about the Age of Enlightenment, this show chips away at notions of class, propriety, and monarchical rule in a way few others do. If it’s historical accuracy you’re after, look elsewhere; the series’ creators describe it as decidedly “anti-historical” (which is part of the fun). All three seasons are available to stream.
Tiny Beautiful Things
The reason to watch this eight-part limited series can be summed up in two words: Kathryn Hahn. A comedic juggernaut, Hahn can switch from funny to dramatic in the same scene, if not the same sentence. This talent is on display in Tiny Beautiful Things, where she plays Claire, a writer who takes up an advice column and pours all the traumas of her life into responding to her readers. Based on Wild author Cheryl Strayed’s collection of “Dear Sugar” columns, the vignettes here may be a bit out of sorts, but Hahn pulls them together.
Dave
Dave Burd is a comedian and rapper who goes by the stage name Lil Dicky. In Dave, Burd plays a rapper who goes by the stage name Lil Dicky and is attempting to raise his profile and make a much bigger name for himself. If only his many neuroses didn’t keep getting in the way. While Dave could have easily turned into some mediocre experiment in meta storytelling, Burd—who cocreated the series, stars in it, and has written several episodes—grapples with some surprisingly touchy topics, including mental illness. And he does it all with a level of sensitivity and honesty that you might not expect from a guy named Lil Dicky. Despite the show’s popularity and critical acclaim, the three seasons currently streaming may be all we get of Dave. Earlier this year, Burd announced that he’d be pressing “pause” on the series in order to explore other creative ventures. (But never say never.)
Atlanta
Donald Glover proved himself to be a quadruple threat of an actor, writer, musician, and comedian with this highly acclaimed FX series about Earnest “Earn” Marks (Glover), an aspiring music manager who is trying to help his cousin Alfred Miles, aka Paper Boi (Brian Tyree Henry), kick off his musical career. They’re surrounded by a supportive crew of friends, including Alfred’s BFF, Darius (LaKeith Stanfield), and Van (Zazie Beetz), Earn’s close friend and the mother of his child. This makes it all sound like a fairly straightforward buddy comedy, but Atlanta is so much more. Even better: It’s weird. Glover is not afraid to experiment with storytelling, which is part of what makes the show so compelling.
Baskets
Zach Galifianakis stars alongside Zach Galifianakis as twin brothers Chip and Dale Baskets in this unexpectedly moving family comedy about an aspiring clown (Chip) who fails to graduate from a fancy clowning school in Paris and is forced to return home to Bakersfield, California, where he lives with his mother (the late Louie Anderson) and is constantly belittled by his higher-achieving brother (Dale). Between the dual role for Galifianakis and Anderson as the mom, it may sound like a cheap bit of stunt casting that can’t sustain more than an episode, let alone multiple character arcs. But if you’re a fan of absurdist comedy, Baskets truly ranks among the best of them. And Anderson, who won his first and only Emmy for his role as Costco-loving Christine, is absolutely transcendent. While it received a fair amount of critical acclaim, Baskets could rightly be considered one of the most underseen and underappreciated series in recent memory.
The Dropout
Amanda Seyfried won a much deserved Outstanding Lead Actress Emmy for her portrayal of the notorious Stanford dropout turned health care technology maven Elizabeth Holmes, who tricked some of the world’s savviest business minds into investing in her company, Theranos. While Holmes’ goal was altruistic enough—making health care more accessible to the masses via a device that could detect any number of diseases with little more than a single finger prick of blood—the technology wasn’t able to catch up. Rather than admit defeat, she kept pushing, making business deals and promises she could never fulfill.
The Handmaid’s Tale
When Margaret Atwood wrote The Handmaid’s Tale in 1985, little did she know that its television adaptation would revolutionize the still-nascent world of original streaming content. And she may not have anticipated just how many parallels her dystopian classic would share with the real world at the time it was adapted into an award-winning television series. It’s set in an unnamed time in what is presumably the very near future, when the United States has been taken over by a fundamentalist group known as Gilead, under whose regime women are considered property and stripped of any personal rights. The most valuable women are those who are fertile, as infertility has become an epidemic, and they are kept as handmaids who are forced to take part in sexual rituals with high-ranking couples in order to bear their children. Recognizing the power she wields, Offred, aka June Osborne (Elisabeth Moss), is not content to remain enslaved and sets about changing the rules as she seeks to reunite with her lost husband and daughter. It’s been a while since we’ve seen any new episodes of The Handmaid’s Tale; its most recent season aired in 2022. Production on the sixth, and final, season commenced in early September for what will hopefully be a 2025 release.
It’s Always Sunny in Philadelphia
If you thought the characters on Seinfeld were terrible people, wait until you meet the gang from Paddy’s Pub. For nearly 20 years, Dennis (Glenn Howerton), Mac (Robert McElhenney), Charlie (Charlie Day), Sweet Dee (Kaitlin Olson), and Frank (Danny DeVito) have unapologetically plotted against each other and total strangers in a series of completely self-centered schemes with absolutely no regard for the rules of civility. The show follows the “no hugging and no learning” rule Larry David established for Seinfeld, but elevates it to a new level of sociopathy. “Dennis and Dee Go on Welfare,” “Sweet Dee Has a Heart Attack,” “How Mac Got Fat,” “Dennis Looks Like a Registered Sex Offender,” “The Gang Turns Black,” and “The Gang Goes to a Water Park” are just some of the offbeat adventures awaiting viewers. In 2021, Sunny became the longest-running live-action sitcom in the history of television, and it shows no signs of slowing down—or taking it easy on its characters. It also happens to be one of the easiest shows to binge: Pop an episode on and, without even realizing it, you’ll be on to another season. Its 16th (!!) wrapped up in 2023—but there are at least two more on the way.
Letterkenny
What began as a web series is now a Hulu original that wrapped up its eleventh season in December. The show is a portrait of small-town Canada (the fictional Letterkenny of the title) and focuses on siblings Wayne (cocreator Jared Keeso) and Katy (Michelle Mylett), who run a produce stand with help from friends Daryl (Nathan Dales) and Squirrely Dan (K. Trevor Wilson). As is often the case in small-town series, many of the residents fall into specific categories—in Letterkenny, you could be a gym rat, a hick, a skid (their word for a drug addict), or a “native” (a member of the nearby First Nation reservation). But in contrast to many small-town series, these groups—and the individuals who comprise them—aren’t reduced to meaningless stereotypes.
The Patient
Steve Carell plays against type—or is at least nothing like The Office’s Michael Scott—in this psychological thriller from Joel Fields and The Americans creator Joe Weisberg. Carell is Alan Strauss, a therapist being held captive by his patient (Domhnall Gleeson), who cops to being a serial killer and desperately wants Strauss to “cure” his desire to kill. The series plays out like one big-bottle episode; much of the action occurs in a single room, with Carell and Gleeson speaking only to each other—each trying to determine his best next move.
Pen15
Mining the awkwardness of one’s middle school years is hardly a new comedy concept. But being in your early thirties and playing yourself as a junior high school student and then surrounding yourself with age-appropriate actors who are actually going through that hellish rite of passage brings a whole new layer of cringe and humor. This is exactly what cocreators/stars Maya Erskine and Anna Konkle did for Pen15.
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