Or, there’s always the company’s Music app (free for iOS and Android). It too has playback control, but also adds in ANC options (hybrid, off, or pass-through) and will let you integrate your favorite music streaming services—provided they’re Deezer, NTS, Qobuz, SoundCloud, Tidal, and/or TuneIn. And it includes a very useful five-band EQ, along with a Bowers & Wilkins True Sound preset. By prevailing standards, it’s a clean, logical, and usable app, which is about as much as anyone is entitled to expect.
As far as performance is concerned, the headline here is that Bowers & Wilkins has come within an ace of justifying the asking price of the Pi8—and, what’s more, drawbacks (such as they are) to Pi8 ownership are both mild and not centered too heavily on the way they actually sound.
Keep volume levels anywhere between “realistic” and “perhaps a little too loud,” and there’s a huge amount to enjoy about the way the Pi8 perform. They create an expansive, well-defined, and rigorously organized soundstage, which means that every element of even the most complex recordings have plenty of room in which to spread out and express themselves.
This spaciousness and separation doesn’t affect the singularity or unity of the way the Pi8 present something like Fela Kuti’s Gentleman. No matter how hectic the going gets, there’s a togetherness to the Pi8 sound, despite their ability to peer so deeply into the mix that any individual instrument is easy to isolate and examine.