Downton Abbey: A New Era review: The show must go on … and on … and on
In the new film Downton Abbey: A New Era, everything old is not new again as the movie suffers from a lack of energy and an unwillingness to change.
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In the new film Downton Abbey: A New Era, everything old is not new again as the movie suffers from a lack of energy and an unwillingness to change.
Eskil Vogt’s Norwegian thriller The Innocents shares a title with one of the great haunted house movies, but it’s a forgettable game of psychic tyke warfare.
The remake of 1984’s Firestarter features a fantastic score and a strong performance by its lead, but wastes its potential on a tame, unsatisfying story.
Director Rob Jabbaz’s The Sadness is a grotesque, bloody horror-thriller that definitely isn’t for the faint of heart.
Alex Garland’s latest film is a terrifying journey through the female gaze and the horrors lurking in the English countryside.
Audrey Diwan’s Happening tells an intense and timely story.
Star Trek: Strange New Worlds finds inspiration in the past to deliver a series set within the sci-fi saga’s universe that feels fresh and new.
Sam Rockwell leads the impressive voice cast of The Bad Guys, a clever new animated crime comedy that is suitable for the whole family.
Ramon Zürcher’s hypnotic drama The Girl and the Spider playfully bends the rules of moviemaking to create a memorably unsettling experience.
Fascinating, compelling, and filled with standout performances, Tokyo Vice delivers plenty of drama in its adaptation of journalist Jake Adelstein’s memoir.