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“Netflix’s Spaceman is a ponderous sci-fi film that doesn’t give Adam Sandler or Carey Mulligan enough to do.” Adam Sandler’s subdued lead performance Jakob Ihre’s atmospheric cinematography A stiflingly humorless…
Dune: Part Two “Dune remains satisfying almost exclusively as spectacle, as something to merely gawk at.” Amazing design Stunning action The setup is behind us Still half a movie Still…
Drive-Away Dolls “There’s nothing straight about the raunchy, fitfully hilarious caper Drive-Away Dolls” It’s funny It’s sexy Margaret Qualley is a loopy star It’s messy You’ll still miss the Joel…
The Promised Land “Director Nikolaj Arcel’s The Promised Land is a visually stunning, thoughtfully made drama.” Mads Mikkelsen’s quietly captivating lead performance Rasmus Videbæk’s visually rich cinematography Nikolaj Arcel’s sturdy,…
Society of the Snow “Shouldn’t a true story of life, death, and cannibalism be a little more gripping?” A gripping true story An intense crash sequence It’s better than Alive…
The Iron Claw “The Iron Claw is a deeply felt, heartrending drama that benefits from a handful of unforgettable performances given by its stars.” Zac Efron’s quietly heartbreaking star performance…
Aquaman and the Lost Kingdom “Director James Wan’s Aquaman sequel isn’t particularly good or memorable, but it is a striking, strangely admirable slice of superhero entertainment.” James Wan’s uninhibited, go-for…
Thanksgiving “Eli Roth’s Thanksgiving is a gloriously violent, riotously fun slasher comedy.” A refreshingly brutal throwback to the slasher genre’s greatest hits Several unforgettably gory set pieces and kills An…
Totally Killer “Totally Killer is a low-budget, endearingly goofy horror comedy.” The film’s witty, observant screenplay Complementary, note-perfect lead performances The movie’s shockingly mean-spirited horror streak The film’s occasionally cheap,…
The Creator “The Creator is a visually stunning but frustratingly shallow sci-fi epic.” Greig Fraser and Oren Soffer’s visually stunning cinematography Gareth Edwards’ confident, maximalist direction A propulsive, engrossing third-act…