The Woman King review: a thrilling period epic
The Woman King is a thrilling and well-acted historical epic with a great lead performance by Viola Davis.
Pearl review: a star is born (and is very, very bloody)
Director Ti West’s new X prequel, Pearl, is a lurid and colorful horror movie unlike any other you’ll see this year. It hits theaters on September 16.
The ending of Barbarian explained
Here’s everything that happens at the end of Zach Cregger’s new horror movie, Barbarian, and why its third act unfolds the way that it does.
Who Invited Them review: mind games, murder, and mayhem
Who Invited Them is a fun, if imperfect, new horror comedy.
The Invitation review: All bark, no bite
Sony’s new horror film The Invitation fails to live up to its own spooky, bloody potential.
Spin Me Round review: a forgettable vacation comedy
Director Jeff Baena’s Spin Me Round is a delightfully absurd but ultimately forgettable vacation comedy. It opens in theaters and on AMC+ on August 19.
Look Both Ways review: another forgettable Netflix original
Lili Reinhart’s heartfelt lead performance in Look Both Ways isn’t enough to save it from being another dull and forgettable Netflix original.
Bodies Bodies Bodies review: a viciously funny horror comedy
Bodies Bodies Bodies is a viciously funny new horror comedy from A24.
Resurrection review: A gripping and unpredictable thriller
Rebecca Hall gives one of the best performances of the year so far in Andrew Semans’ dark and unnerving new psychological thriller, Resurrection.
The Black Phone review: A spooky, surface-level thriller
Scott Derrickson’s The Black Phone is an intense yet ultimately superficial thriller.