Looking for the best Netflix movies right now? In this list, we’ve rounded up our 30 picks of the best movies on Netflix, and we update this list every week with new stuff to watch, while cycling out older entries as they leave the streaming service. We’ve combed through the best films on Netflix to bring you some solid recommendations of things to watch.
While Netflix faces increased competition from the likes of HBO Max and Disney Plus, the service always has an amazing offering of movies, particularly with the addition of new Netflix originals (even if these vary wildly in quality). The best Netflix movies include all-time classics from Hollywood history, big blockbusters and even unmissable documentaries.
Here, then, is our list of the 30 best Netflix movies in the US. If you’re an Amazon Prime user, check out our list of the best Amazon Prime Video movies.
The Old Guard
Genre: Action movie with a fantastical twist
Who’s it for? True crime fans
Netflix’s biggest movie of the summer so far stars Charlize Theron as the leader of an immortal unit of soldiers. They’ve spent hundreds of years shaping history, but now with their secret exposed to the world, a pharmaceutical company wants to track them down and experiment on them. This is a strangely dour movie for something with such a high-concept premise, but the action is well-done, and Theron is always a great presence.
Zodiac
Genre: Crime/mystery film
Who’s it for? True crime fans
David Fincher’s underrated masterpiece is back on the streaming service, and it’s easily one of the best movies on Netflix. Focused on the hunt for the Zodiac Killer who haunted the San Francisco Bay area in the late ’60s and early ’70s, Jake Gyllenhaal plays Robert Graysmith, a journalist obsessed with tracking the killer down. At times a mystery movie, at other times as scary as a horror film, you can’t miss this if you’ve never seen it. A pre-Iron Man Robert Downey Jr is part of the excellent ensemble cast.
Batman: Mask of the Phantasm
Genre: Animated superhero movie
Who’s it for? Bat fans.
Based loosely on the comic Batman: Year Two, Mask of the Phantasm is often referred to as the best Batman movie ever. They’re not quite right in our eyes, since 1989’s Batman and The Dark Knight are so, so good, but this tie-in to the animated series is fantastic. Batman faces off against the Phantasm, who resorts to more extreme methods of vigilantism than Bruce Wayne does. This movie features an absolutely killer twist, and is well worth your time even if you were never that invested in the animated series.
Da 5 Bloods
Genre: War movie/character drama
Who’s it for? Vietnam War movie aficionados.
Spike Lee’s entry in the Vietnam War canon is unlike anything else before it. Focusing on the black American experience of the war, it’s about a group of soldiers who return to the country decades later in their old age to retrieve the remains of their squad captain (played in flashback by Chadwick Boseman). At the same time, they seek out buried gold they left behind years before – though they’re not alone in this pursuit. The movie flips from being a mournful movie about trauma to a bonkers action film with almost no notice, too, but the mix here works.
This is the one of the best new Netflix movies of 2020. Make sure you check it out.
Steve Jobs
Genre: Biopic
Who’s it for? Those who like unconventional approaches to life stories.
Told in the moments before three major launches in Steve Jobs’ life, this movie is a great companion piece to The Social Network (also written by Aaron Sorkin), even if it’s not quite as good. While some critics called him miscast, Michael Fassbender embodies Jobs so well across three timeframes in his life, and the movie doesn’t pull any punches about the personality of the late Apple mastermind and how he treated other people. There’s a hokey element to Steve Jobs – it’s essentially told through the prism of his relationship with his daughter, Lisa – that makes it feel like you’re watching something that only vaguely resembles the truth. But it’s still incredibly entertaining.
Uncut Gems
Genre: Thriller
Who’s it for? Fans of those rare amazing Adam Sandler performances.
This sweaty-palmed thriller is about Howard Ratner (Adam Sandler), a jeweller and gambler who plans a gem sale that’ll solve all his problems. Instead, Howard makes more and more ill-advised bets, and the walls begin to close in. Uncut Gems is a stressful but enthralling film with a really impressive performance from Sandler, not to mention a fantastic ensemble cast. It’s a fascinating character study, as you watch Ratner begin to suffocate under the weight of his terrible decisions and inability to put anyone but himself first.
Django Unchained
Genre: Western
Who’s it for? Tarantino fans and Western aficionados alike.
Probably the best of Tarantino’s revisionist history-flavored movies (including Inglourious Basterds and the recent Once Upon a Time in Hollywood), Django Unchained is an 1800s-set Wild West picture about Django (Jamie Foxx), a liberated slave who joins up and works with the benevolent bounty hunter Dr King Schultz (Christoph Waltz). Django’s goal is to save his wife, Broomhilda (Kerry Washington), who’s owned by appalling plantation owner Calvin J. Candie (Leonardo DiCaprio in a scene-stealing, nasty performance). This has all the ingredients you want from a modern western.
A few other Tarantino flicks are among the many Netflix movies, including The Hateful Eight and Inglourious Basterds.
Scott Pilgrim vs The World
Genre: Comic book romance
Who’s it for? Nerds and romantics.
Scott Pilgrim vs The World was Edgar Wright’s first Simon Pegg-less feature film, and while it was a box office flop, this adaptation of the beloved graphic novel series by Bryan Lee O’Malley is great fun on a rewatch. Scott Pilgrim, a guitar-playing nerd and jerk, starts to date the slightly closed-off but sweet Ramona Flowers. Soon after their relationship begins, though, Scott is tasked by Ramona’s abusive former boyfriend to fight all of her evil exes, a gauntlet of douchebags memorably played by the likes of Chris Evans and Brandon Routh.
This is as close to a comic book in motion as you’re ever likely to see in a live-action movie, with fantastic, vibrant set pieces. The comics are slightly better, overall, but isn’t that always the way?
Senna
Genre: Sports documentary
Who’s it for? Everyone, even if you don’t care about racing.
Tragically killed at the San Marino grand prix in 1994, Brazilian Formula 1 legend Ayrton Senna never got the chance to add to his three world titles, and become an all-time great. His driving ability was never in question, however, and his exciting, aggressive racing style ensured that he was both hero and villain in the F1 paddock. Amy/Diego Maradona director Asif Kapadia’s excellent 2010 documentary assembles home videos, race footage and expert analysis into a compelling narrative, revealing the man beneath the helmet. Deified in his home country, Senna was an intriguing enigma – there haven’t been any like him since.
Genre: Crime thriller/comedy
Who’s it for? Fans of John Wick and Chris Hemsworth’s arms.
This Netflix original action movie isn’t a classic, but it’s top-quality lockdown entertainment. Chris Hemsworth plays the mercenary Tyler Rake, and is sent to retrieve the son of a gang boss, who’s caught in a drug war. It’s familiar stuff, and basically just another riff on Man on Fire, but the action sequences are fantastic. It’s no surprise, given that the film is directed by Sam Hargrave, responsible for some of the MCU’s fight sequences. If you like the idea of long tracking shots where Thor kills a bunch of dudes, watch this. It doesn’t outstay its welcome, and Hemsworth is always an affable on-screen presence.
GoldenEye
Genre: James Bond movie
Who’s it for? People who only watch the good Bond movies, and who maybe had an N64 in the 1990s.
Among the many Netflix movies available to stream is every single Pierce Brosnan Bond movie. We’d argue that this is the only truly great one. GoldenEye is a post-Cold War Bond picture involving a deadly EMP satellite weapon. Really, though, it’s an excuse for Brosnan’s suave Bond to go up against Sean Bean’s fantastic Alec Trevelyan, the former 006 and James’ old best friend. Director Martin Campbell would later make Casino Royale.
The iconography of GoldenEye is perhaps best associated with the N64 first-person shooter game these days, but the film is great fun in its own right.
Killing Them Softly
Genre: Crime thriller/comedy
Who’s it for? Fans of Brad Pitt looking cool.
Based on the novel Cogan’s Trade, Killing Them Softly is about a group of underskilled robbers who target an organized crime syndicate, before a hired gun played by Brad Pitt is paid to take them out. It features a short but memorable sequence with the late James Gandolfini as an acquaintance of PItt’s character, that’s worth watching the film for alone.
The movie uses the 2008 financial crisis as a framing device, with everyone in the film scrambling for the cash they can get hold of, at a heavy price. Killing Them Softly a very different film from Pitt and director Andrew Dominik’s first collaboration, The Assassination of Jesse James, and it’s a lot funnier than you might think it is based on the premise.
Green Room
Genre: Horror film
Who’s it for? Anyone looking for a sinister but classy horror experience.
A band plays the wrong gig for a group of Neo-Nazis in a club, and things turn extremely nasty very quickly as they try to survive what happens next. That’s an amazing premise for this high-end cult horror film that you simply need to watch, from Blue Ruin director Jeremy Saulnier. The ensemble cast, including a terrifying Patrick Stewart, Arrested Development’s Alia Shawkat and the late, great Anton Yelchin, is terrific.
The Social Network
Genre: Biographical drama
Who’s it for? Anyone who uses Facebook.
David Fincher’s movie about the founding of Facebook is essential viewing, with a sharp script from Aaron Sorkin based on the book The Accidental Billionaires by Ben Mezrich. Jesse Eisenberg portrays Mark Zuckerberg, and we see the social media network’s journey from an eyebrow-raising college project into the money-making, opinion-spitting beast it is now, and the bitter battles it caused between those who claimed to have a stake in it.
The only question, then, is when are we getting a sequel that covers everything that’s happened since then? The Social Network may be Fincher’s best film.
End of Watch
Genre: Police thriller
Who’s it for? Fans of buddy comedies (that end up going to extremely dark places).
David Ayer, the writer of Training Day, gained enormous acclaim for this buddy cop drama, which is partially framed as a documentary (though it stretches the format to its limit). Those buddies are played by Jake Gyllenhaal and Michael Peña, and their friendship is traditionally masculine but somehow wholesome at the same time. Well worth watching.
To All the Boys I’ve Loved Before
Genre: Teen romance
Who’s it for? Romantic comedy fans.
This teen romance follows high schooler, Lara Jean, as she tries to navigate school after five secret love letters are sent out to her crushes by mistake. Based on the young adult trilogy by Jenny Han, the film quickly became one of Netflix’s most successful original films after its release in October 2018. There’s a 2020 sequel, To All The Boys PS I Still Love You, but it’s critically considered an inferior follow-up.
The Master
Genre: Character drama
Who’s it for? Want to see a couple of career-best performances? Watch this film.
Paul Thomas Anderson is arguably the best filmmaker of his generation, with an enviable run of masterpieces, most recently the mesmerizing and twisted relationship drama Phantom Thread. The Master, starring the late Philip Seymour Hoffman as the head of a cult called ‘The Cause’, and Joaquin Phoenix as a veteran who becomes a subject of the cult’s teachings, is another must-see film from the Magnolia director. The relationship between the two is transfixing, and the supporting cast boasts the always-great Amy Adams. When you’re done watching the film, read this essay, which posits the memorable theory that Phoenix is playing a dog throughout the entire film.
Snowpiercer
Genre: Post-apocalyptic drama
Who’s it for? Pessimists.
Bong Joon Ho’s English-language debut is set on a train carrying mankind’s last survivors in an ice-covered world ravaged by climate change. Like the director’s Oscar-winning Parasite, Snowpiercer is about class divide, with the wealthy at the front of the train, and the poor living at the back under dreadful conditions. Curtis (Chris Evans) leads an uprising against those living at the front. This movie is not for the faint of heart, but it’s a performance from Evans that’s completely against type and really engaging as a result.
Okja
Genre: Oddball creature movie
Who’s it for? Animal lovers.
If you’ve enjoyed Bong Joon Ho’s Best Picture winner Parasite (and you’ve watched Snowpiercer, discussed above), you might want to check out his last movie, Okja, which is one of the best Netflix originals so far. It’s the bizarre tale of a young girl and her best pal, an enormous creature called Okja. Their friendship is under threat when a nasty CEO (Tilda Swinton) has evil plans for Okja. It’s a refreshing movie with a nice angle of animal activism – a very different proposition to Parasite, for sure, but one that also demonstrates the director’s ability to blend genres.
Moonlight
Genre: Generational drama
Who’s it for? Awards buffs and independent cinema fans.
The last great movie to win the Best Picture Oscar before Parasite, Moonlight follows a boy through three stages of an incredibly difficult life: childhood, his teenage years and adulthood. Chiron has to deal with his own struggles of identity and sexuality, while also contending with his emotionally toxic mother. Mahershala Ali won the Best Supporting Actor Oscar for his role as a mentor and much-needed father figure in this picture, but equally great is actor Trevante Rhodes, who plays Chiron in his adult life with a palpable repressed pain.
The Irishman
Genre: Crime drama
Who’s it for? Cinema buffs and Scorsese fans (which are the same group of people).
This threateningly long Scorsese pic attracted attention for the extensive effects work used to de-age its old stars, and it’s a creative decision that’s occasionally distracting. But there’s no denying the appeal of seeing De Niro, Pesci and Pacino in the same movie together for likely the last time, and this life-spanning, extremely rewarding crime epic is a suitable tribute to their collective talents. The Irishman is about the life of Frank Sheeran (De Niro), as he recounts his long association with the Bufalino crime family. It’s arguably the biggest awards play Netflix has ever made, and soon we’ll see if it pays off.
Marriage Story
Genre: Character drama
Who’s it for? Awards buffs and the emotionally resilient.
Ensure you’re in the right mindset to watch Marriage Story – i.e. skip this if you’re in the middle of a break-up – because this sympathetic movie about a failing marriage and the resulting fallout can be tough viewing. It’s the latest picture from director Noah Baumbach (Frances Ha), and features actors Adam Driver and Scarlett Johansson at the top of their game in what are surely emotionally draining roles. Watch it before it gets memed and gif-ed to death on social media, and you only see Marriage Story as that movie where Kylo Ren cries a lot.
Raiders of the Lost Ark
Genre: Adventure
Who’s it for? If you don’t like this movie, we cannot be friends.
The first Indiana Jones movie remains the best. It’s a beautifully-made, funny and exciting adventure, deliberately recalling George Lucas’s pulpy favorites from the first half of the 20th century. The entire trilogy is on Netflix US right now (that’s right, trilogy). Don’t stop and think too hard about Indy’s ethos that ancient artifacts belong in a museum, or the fact he dated his former student, or the generally eyebrow-raising stuff in The Temple of Doom. Instead, enjoy the wicked set pieces and the gorgeous locations of these three classics, before they inevitably move to Disney Plus forever someday.
Roma
Genre: Period drama/Foreign film
Who’s it for? Cinema buffs
An astonishing ode to motherhood in all forms, Roma is the most personal film to date from visionary director Alfonso Cuarón (Children of Men, Gravity). On paper, Roma is not the easiest sell – a subtitled black and white film about a live-in housekeeper spoken almost entirely in Spanish and the indigenous Mixtec language, Cuarón’s latest is nonetheless riveting from a cinematic standpoint. More a series of vignettes than a traditional three-act story, Roma examines the life of a Mexico City family in the early 1970s during a time of great social upheaval.
Described by Cuarón as 90% autobiographical, the film provides some insight into the famous director’s early life, although the story is witnessed primarily through the eyes of his caretaker, Cleo (Yalitza Aparicio), who would become a loved member of the family. One of the most gorgeously photographed films in years, Roma deserves to be seen on the largest screen possible. Shot entirely in 65mm, Roma would make for an ideal theatrical experience. However, if that isn’t an option, you won’t be disappointed by the Roma’s breathtaking 4K Ultra HD presentation on Netflix – just make sure you keep tissues on hand, because it’s very likely you’ll shed a few tears during the film.
Spider-Man: Into the Spider-Verse
Genre: Animated superhero film
Who’s it for? Fans of the famous wall-crawler, super heroes in training
There’s little doubt that Spider-Man Into the Spider-Verse is the best animated Spider-Man film ever made but, in all honesty, it might even steal the title as the best Spider-Man movie ever made. A harrowing tale that takes place across universes and timelines, the original Spider-Man Peter Parker must teach a new Spider-Man how to save the world one web at a time. As more Spider-Men (and Spider-Women!) get involved in Miles’ training, everyone involved soon realizes that it’s not the mask that makes the hero, it’s the hero that makes the mask. Inspiring, heart-warming and extremely well-written, Spider-Man Into the Spider-Verse is worth the watch.
Always Be My Maybe
Genre: Romance
Who’s it for? Fans of romance fans and the one who got away
You may know Always Be My Maybe’s leading lady Ali Wong from her raucous Netflix stand-up specials but it’s as a successful celebrity chef that she really hits her stride. After a failed engagement Wong’s character Sasha Tran heads to her hometown of San Francisco to setup a new restaurant only to run into her old bff played by Randall Park. Through the turbulence of the relationship, a sudden fling with actor Keanu Reeves and despite the differences in careers, the two try to make it work, and the journey from old friends to lovers is a joy to watch.
The Incredibles 2
Genre: Animated Action
Who’s it for? The kids and kids-at-heart in your house.
While there’s no shortage of endearing animated films on Netflix (see: Coco, Moana, Spider-Man, etc…) The Incredibles does something none of the others do by building a successful sequel on a fondly remembered original film. The second Incredibles film might not hit the same star status that the original hits, but following the family through their new life as re-instated heroes is as adorable this time around as it was before thanks to Mr. Incredible’s role as a stay-at-home dad. If you need something for the kids and don’t want to sit through the same movie again, The Incredibles 2 shakes things up while building upon the 10-year-old franchise.
Her
Genre: Drama / Romance
Who’s it for? Anyone looking for love in all the wrong places.
While it’s a film that’s almost certainly mocking tech lovers like us, Her is a beautiful look at a lonely man who’s rescued by a futuristic fictional smart assistant. At times a bit heavy-handed with its messaging, Her provides a solid foundation for why human connection is more intimate than machines, even if the latter can remove the awkward initial dating phase using a personalized algorithm.
Jiro Dreams of Sushi
Genre: Documentary
Who’s it for? Anyone aspiring to be better and seafood specialists
Jiro Dreams of Sushi is the uplifting documentary of one man who never gave up on his … uh, dreams. Jiro became the first three-star Michelin sushi chef in Japan and has been called a national treasure, all the while honing his mantra of being his best self. Jiro’s commitment to his craft that carries the film – but it’s his two sons, both famous sushi chefs like their father that make the film one of the best documentaries ever made. If you’re hungry for a bit of inspiration in an evermore depressing world, pull up a seat.
Fyre: The Festival That Never Happened
Genre: Documentary
Who’s it for? Anyone who needs a heaping dose of schadenfreude
Billed as a luxury music experience on a private island, Fyre Festival was tirelessly promoted by social media influencers – but ended up being a complete and utter disaster, with multiple lawsuits being brought against the promoters. This illuminating documentary explores what went wrong, with some extremely personal accounts from the people who helped create it, and it’s a must-watch.