Inu-Oh review: A visually inventive anime rock opera
Inu-Oh isn’t a narratively intensive movie, but its presentation and themes make this creative blend of anime and rock opera noteworthy.
Emily the Criminal review: Aubrey Plaza scores as a gig-economy hustler
Aubrey Plaza is grippingly driven in the late-stage capitalism crime thriller Emily the Criminal.
Bodies Bodies Bodies review: a viciously funny horror comedy
Bodies Bodies Bodies is a viciously funny new horror comedy from A24.
Prey review: a fresh spin on the Predator franchise
The best Predator film since the original, Prey delivers a tense, action-packed adventure that feels fresh and unique in the franchise.
The Outlaws season 2 review: no more funny business
Season 2 of The Outlaws fully embraces its crime-thriller potential and delivers a more satisfying story arc, even as it goes light on the laughs.
Paper Girls review: time-traveling, girl-power Goonies is good enough
Prime Video’s adaptation of the Paper Girls comic book series is an exciting sci-fi saga that blends powerful emotional arcs with a nostalgic adventure story.
Resurrection review: A gripping and unpredictable thriller
Rebecca Hall gives one of the best performances of the year so far in Andrew Semans’ dark and unnerving new psychological thriller, Resurrection.
Nope review: Jordan Peele’s intelligent sci-fi horror delivers
Jordan Peele’s third film, Nope, continues his trend of delivering thought-provoking horror, this time in a cinematic feature filled with great performances.
Dreaming Walls review: A haunting ode to the Chelsea Hotel
Get to know the last remaining residents of the Chelsea Hotel in Dreaming Walls, a haunting ode to one of New York City’s last remaining bohemian landmarks.
Both Sides of the Blade review: Juliette Binoche shines in cutting domestic drama
The brilliant French filmmaker Claire Denis returns with the disorienting love triangle Both Sides of the Blade, starring Juliette Binoche and Vincent Lindon.