How visual effects made Manhattan a war zone in HBO’s DMZ
A VFX supervisor on HBO Max series DMZ explains how visual effects turned Manhattan into a war-torn landscape for the four-part saga.
How visual effects made The Batman hit harder & drive faster
Matt Reeves tapped into gritty realism for The Batman, but visual effects artistry helped shape the way the Dark Knight drove, fought, and saved the city.
Everything Everywhere All At Once: Small VFX team, big results
The multiverse-spanning adventure in Everything Everywhere All At Once feels big, but the hit film took a minimalist approach with its visual effects team.
How VFX powered Spider-Man: No Way Home’s villain team-up
The visual effects studio behind some of Spider-Man: No Way Home’s memorable moments explains how VFX made the film’s sinister team-up happen.
How visual effects shaped Free Guy’s GTA-inspired world
Free Guy swept audiences into a Grand Theft Auto-style universe that blurred the line between virtual worlds and reality with its amazing visual effects.
How Dune’s visual effects made an unfilmable epic possible
Dune reunited director Denis Villeneuve with visual effects supervisor Paul Lambert to turn a supposedly unfilmable saga into an epic box-office adventure.
Celestials, a bus, and the Big Bang: Behind the amazing VFX of Marvel’s Eternals
Marvel’s Eternals went all-in on cosmic spectacle with groundbreaking visual effects, from reimagining the Big Bang to destroying the Earth from the inside.
Ten rings, two dragons, and imagination: Behind Shang-Chi’s visual effects magic
What did it take to bring 10 magic rings, two dragons, and an epic adventure to life in Marvel’s Shang-Chi? Find out from Weta Digital’s VFX supervisor.
Killer butts and gorilla fashion: How visual effects help Doom Patrol stay weird
HBO Max series Doom Patrol might be the strangest comic book show on TV, and it stays that way with some help from plenty of weird, wonderful visual effects.
The art of blowing up a planet: Behind the visual effects of Marvel’s Loki series
Here’s how visual effects studio Digital Domain helped Marvel blow up a planet in Loki’s third episode using plenty of technical artistry and movie magic.